Wednesday, 19 October 2011

The National - Edinburgh Corn Exchange 23.08.11


Apologies that this is nearly two months late.  I did write it only a matter of days after the gig but forgot about it, and only found it when I was tidying up my computer today.  Enjoy.

The National frontman Matt Berninger begins with a simple “hello” before the band kick things off with the tender Runaway from last year’s High Violet.  Within seconds we were already in raised neck hairs and goosebumps territory.  From then onward the band had the sold out audience eating out of the palms of their hands, each track receiving an almost euphoric response.  The National themselves seem genuinely humbled by the reaction, it’s their first time playing Edinburgh and Berninger sounds sincere and genuine when he tells the crowd it’s been a privilege.

Like any National show, picking highlights is a nearly impossible task.  Such is the richness of their back catalogue they could play a set comprising entirely of b-sides and album tracks, and their devoted fan base would still sing along to every word.  As it was, the band played eight songs that would be replaced by the time they played in Glasgow 24 hours later.  The point is there are few bands on the planet today with as many good tracks to draw from for a live performance as The National and tonight just when you think the band have reached their pinnacle each track eclipses the one before.

From the compelling drums and horn riff of Bloodbuzz Ohio to the epic, percussion heavy Squalor Victoria, even Available from 2003’s Sad Songs For Dirty Lovers and Wasp Nest from 2004’s Cherry Tree EP sound as if they were written with stadiums in mind.  The band finish with Fake Empire, sounding as joyous and perfect as ever.

During the encore Berninger continues with his traditional disappearing act during Mr November, however instead of diving head first into the crowd, climbing a speaker stack and dislodging a roof tile was the order of the day.  “By the way, there’s a dead body up there”, and as the tracks reaches it’s crescendo with Berninger screaming “I’m Mr November I won’t fuck us over” even if there was, I think few would care such was the intensity and quality of the performance.

Terrible Love follows before a stunning unplugged version of Vanderlyle Crybaby Geeks, complete with mass audience sing along, ends what has been yet another remarkable and unforgettable performance from the finest band on the planet today.

The National played:

Son 
Encore:

Mr November complete with roof destruction:

Tuesday, 4 October 2011

Youth Lagoon - The Year Of Hibernation


Two posts within a week, who would have thought it.  I'll be honest I've been off work sick for the past couple of days, and I'm quickly running out of TV to watch and the flat is looking immaculate, thanks to my new found status as a domestic god.  With no TV or housework to catch up on, I went a bit mental catching up with a backlog of new(ish) music, and on the back of a glowing review from Pitchfork as well as just about every other music publication going, I got my hands on the debut LP from Trevor Powers who operates under the moniker of Youth Lagoon.

I'm going to keep this brief, as my sinuses feel like they're going to explode (feeling sorry for myself? Aye just a bit) but it's fair to say that The Year Of Hibernation is a fairly stunning piece of work.  After only a handful of listens, I'm already completely immersed in it.  For all the gorgeous and serene arrangements and catchy melodies, this a record born from anxiety and worry,  "When I was 17, my mother said to me, don't stop imagining/the day that you do is the day that you die"he sings on "Seventeen".  Lyrically it's powerful and astute throughout and the contrast of Powers' many insecurities and the upbeat, dreamy arrangements is the key to the record's success.

I also thought I would help Powers' cause of trying to get across, that despite what some reviews have said the record wasn't actually recorded in his bedroom:

"I've been trying to make this clear for months in interviews, but to those who still don't know, this album wasn't recorded in my bedroom, but at a close friend's house. I wrote all the songs and crafted them in my bedroom. But the album was recorded at my good friend Jeremy Park's home studio. He is a dear friend of mine and an excellent engineer ♥"

Regardless of where the record was born, Youth Lagoon has created a nostalgic, emotional and beautiful debut record.


The Year Of Hibernation is out now. Get it from Amazon with this handy wee link.