Sunday, 20 March 2011

Stray Kites, Josh T. Pearson, Comodo and more.

Last week I received a very nice E-mail from a band called Stray Kites, a two-piece ‘stationed in but not restricted to Ashburn, Virginia, America, Earth’ comprising of Max Detrich and Junior Roseboro.  The e-mail was short and sweet, alerting me to the existence of the band and a suggestion I check them out.  I’m glad I did.  Their music is self-recorded and self-released (everything is free so absolutely no excuses not to check them out) and most importantly rather good.  The duo released their debut record One Day, Earth Time earlier last year and are currently working on their second LP Mieux will be released later this year.  The two tracks the band have already made available from the record, All Is Well and Misanthrope suggest we are in for a bit of a treat with their second release.  They are both incredibly charming pop gems; addictive, buoyant and guaranteed to put a smile on your face.  While folk and acoustic influences are evident, they are clearly not adverse to making a bit of noise once in a while.  I have high hopes for album number two.

All songs are available as free downloads from Stray Kites’s bandcamp:


I’ve also been listening to Last Of The Country Gentlemen by Josh T. Pearson a great deal this week.  Formerly of Texan psychedelic rockers Lift to Experience, it has taken the best part of a decade for a solo release from Pearson but I can safely say it has been worth the wait.  Last Of The Country Gentlemen is absolutely stunning, and one of the most beautiful records I’ve heard in years.  Lyrically it’s dark, gut wrenching stuff; dealing with heartbreak and infidelity in brutally honest detail.  His gorgeous guitar work the perfect accompaniment resulting in an incredibly intimate and fragile record that will resonate with anyone who has ever suffered heart break or loss.  The best thing released this year by a country mile.  Stunning.

‘Honeymoon’s Great! Wish You Were Her’ thirteen minutes of utter beauty.





Following on from Carnivals last week another one of the Sucking Lemons lads, Oli Shilling has made his debut EP under the Comodo alias available as a free download via bandcamp.  Dark, atmospheric and ever so slightly eerie To The Sun EP is a pretty wonderful debut release.

To The Sun is available here:



Thom Yorke, Burial and Four Tet’s collaboration hit the net last week and is obviously amazing.  With such a cast, it was inevitable but nonetheless the two tracks are both brilliant.






Elsewhere The Kills new record is rather good, despite the hype The Vaccines have managed to put together a solid and very listenable debut release and I’ve gone back to Aerogramme and Arab Strap.  I’m still so bitter I never got to see either of these two live and think I always will be till the day I die.

This is the best song ever written by the way.



Till next time...

Thursday, 10 March 2011

Evenings, strokes, submarines and more.

Until a few hours ago I had never heard of Evenings AKA Nathan Broaddus.  I am incredibly glad this has now been rectified, via a tip off from another Sucking Lemons writer.  His debut release North Dorm EP has been available since last year (for free via his bandcamp, link to follow) and is a truly mesmerising and stunning piece of electronic music.  His music contains an eclectic collection of sounds; a fusion of dreamy synths, delicate beats and an abstract selection of beeps, bleeps and other utterly entrancing noise.

North Dorm available here: http://evenings.bandcamp.com/

More new Strokes stuff has surfaced over the past couple of weeks, none of which has struck me as being particularly amazing.  However saying that, Under Cover Of Darkness didn’t really hook me immediately so it’s early days.

The Strokes – Machu Picchu: http://www.mediafire.com/?kzd0gnmvu311cy3

Submarine a new film directed by Richard Ayoade (Moss of IT Crowd fame) comes out next week and Alex Turner was the man entrusted with the soundtrack for the film and has come up with the rather good Submarine EP which is released on Monday.  Anyone fearing he would suffer without his monkeys fear not, it’s brilliant.  Lyrically of course it’s completely perfect and the arrangements, from guitars to keys to drums provide a fitting backdrop for Turner to hammer home yet again how disgustingly talented he actually is.




Turner’s soundtrack is released via Domino Records on March 14th and the film follows on March 18th. 

Elsewhere I’ve been hammering A Weekend In The City (perfect, perfect record)



the debut EP from Samuel Howard AKA Halls which is available to download here for a pound and will definitely be the best pound you spend this week: http://hallsmusic.net/album/halls-ep

Mavi Kara an EP by Carnivals AKA Stew Green which goes one one better and is free from here:
http://carnivals.bandcamp.com/

and finally I’ve gone back to Love Remains by How To Dress Well.  It’s still flawless.